vampire the masquerade bloodlines sabbat ending

Appears to have a warped code of honor (Paths that aren't Humanity tend to be this way).Ī Nightmare on Elm Street ('84) is a real winner here both for creativity and music. It toys with its prey, skins them, takes their skulls as trophies. Just imagine it's a less tech-ed out Sabbat vampire jumping around in the jungle at night, stalking people. Since we're on films that aren't vampire related, I'd recommend Predator ('87). If you incorporate this into your Toreador, oh what sights you'll have to show people. Warped sense of morality that fits various Paths of Enlightenment. Hellraiser is a good one for being creative, though it works even better for the Tzimisce. Hellraiser was originally going to have a different soundtrack done by Coil. * The Dresden Files: Lara Raith is a very good Lasombra or Toreador Antitribu.

* House of a 1000 Corpses: Not vampires but every other way it's the Sabbat. * 30 Days of Night: The comic is actually better in that at one point an Elder comes out and goes, 'You fucking idiots! Do you not realize how stupid this is?' My idea is they were making shovelheads that night and were usually more discriminate about mass killing. * Salem's Lot: Just how terrible it can get in a town if they decide to Mass Embrace with no regard to the Masquerade. * John Carpenter's Vampires - Just a bunch of nasty psychotic undead with their religious heretic leader. Redneck trashy vampires killing indiscriminately (sensing a theme?) * Near Dark - One of the original inspirations for the Sabbat. * Lost Boys - Could be Anarchs but they're a Pack that lives together, has a Priest, and kills indiscriminately. Some pretty obvious ones that I am happy to share:

Vampire the masquerade bloodlines sabbat ending